Bach, Beethoven, Mozart, Tchaikovsky, Vivaldi…Williams: The Music of The Empire Strikes Back

Tags

1941, 40th Anniversary, C-3PO, Chewbacca, City in the Clouds, Close Encounters of the Third Kind, Cloud City, Dagobah, Darth Vader, Film Score, Finale; End Credits, Han and Leia, Han Solo, Hollywood, Hoth, Hyperspace, Imperial Stormtroopers, Jaws, Jaws 2, John Williams, Lando Calrissian, Lando's Palace, Lucasfilm, Luke Skywalker, Luke's First Crash, Luke's Rescue, Millennium Falcon, Musical Score, Obi-Wan Kenobi, Original Soundtrack Anthology, Princess Leia Organa, R2-D2, Return of the Jedi, Saga, Star Wars, Star Wars: Episode V, Superman, Tatooine, The Battle in the Snow, The Empire Strikes Back, The Imperial March (Darth Vader's Theme), The London Symphony Orchestra, Yoda, Yoda and the Force, Yoda's Theme

Film Spoilers Ahead!

I’m paying homage to The Empire Strikes Back this year in recognition of the film’s 40th anniversary. I mentioned in a post last May that it is my favorite of the Star Wars saga. This post is about the incredible music of the film composed by John Williams.

Few people would dispute John Williams’ contributions to motion picture scores. We all know his resume. It includes many of the biggest blockbuster films in history. When he wrote the music for The Empire Strikes Back he was already famous for having composed the scores of numerous films and television shows including Jaws, Star Wars (of course), Close Encounters of the Third Kind, Jaws 2, Superman, Dracula (1979 version with Frank Langella and Laurence Olivier, directed by John Badham), and 1941. But his success dates back much farther. His list of films can be found online. Chances are that you will find films and TV show scores composed by him that you never realized he did.

He was already a hot commodity in Hollywood, but Star Wars sent his popularity into the stratosphere. And, as we saw, his star just kept rising and rising with practically every film he scored for the next three plus decades.

His work and the efforts of the London Symphony Orchestra on T.E.S.B. is no different. It is my favorite musical score of the saga, and contributes greatly to the reason that it is my favorite S.W. film. His scores to Star Wars and Return of the Jedi are fantastic in their own right, but what he did for T.E.S.B. elaborates upon those concepts and introduces us to new and memorable themes that have been, and still are, heard throughout the S.W. timeline.

“The Imperial March (Darth Vader’s Theme)” is as iconic now as the theme from Jaws. Almost everyone who hears it knows what it is, or they at least recognize it as a S.W. theme. Its driving, pounding, militaristic sound is heard throughout the film and reminds us that the Empire is always one step behind our heroes. Sometimes, one step too close. I wouldn’t be surprised if it’s one of the most popular ringtones for smartphones the world over.

“Yoda’s Theme” is one of my personal favs in the entire series. I never get tired of it. Its quiet and melodic tempo relaxes me every time I hear it. It’s beautiful and meditative.

Advertisement

Pages: 1 2 3

Updated Content of E-books on Amazon.co.jp

Tags

A Day of Horror: The March 11, 2011 Japan Earthquake-A Foreigner's Perspective, Amazon Japan, Amazon Marketplace, Amazon U.S., Amazon.co.jp, Amazon.com, Manage your content and devices, The DiVacci Curse, To Sleep in the Ground, updates, updates not available

I hope that everyone is doing well considering the situation. We have all been getting slammed pretty hard by the virus, severe weather, social instability, etc. It doesn’t really matter where you live in the world…we are all dealing with difficulties right now. Keep your chin up and hang in there.

On a different note, and a followup to my previous post, I have discovered the reason why purchasers of my e-books from Amazon.co.jp (Japan) have not been receiving the content updates to my book(s). It appears that Amazon Japan does not automatically make updates available to readers. The reason is because Amazon Japan (not the author) reserves the right to decide whether updates will be made available to readers. If they deem the changes worthy of alerting the readers and allow them to download the updates, then they will do so. Otherwise, too bad. They evaluate the updates on a case by case basis. I am in complete disagreement with this method as I feel that readers have a right to update and get the latest version of the e-book if they have legally purchased it in the past.

Amazon Japan claims that it may make exceptions to the rule if the reader requests the update directly. Authors may do the same, but there is no guarantee that Amazon Japan will honor the request. Final authority rests with Amazon Japan.

I wonder if Amazon.com (U.S.) is aware of this policy. I was told by Amazon.com that updates are made available across all of their marketplaces where e-books are sold. Yet, Amazon Japan operates differently. It would be nice for the two of them to get on the same page with this issue.

I do not want to discourage anyone from purchasing my e-books. All I can say is that if you choose to purchase my e-books from Amazon Japan be aware that you may not be able to update the book’s content after the initial purchase. I wish it were not the case, but there is nothing that I can do to rectify the issue. Different countries have different policies. I have lived in Japan long enough to know that it runs itself according to its own policies and perspectives. All nations do. You either deal with it, or you don’t. That same idea can be applied to current global events, I suppose.

I apologize for any inconvenience that Amazon Japan’s policy may cause those who purchase and read my books. As always, I thank you for your continued support and consideration.

Stay safe and healthy!