My Cousin Jonathan

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1776, Alfred Hitchcock, Amadeus, Anthony Perkins, Baron van Swieten, Broadway, Charles Lamont, Checking Out, Dustin Hoffman, Dylan, F. Murray Abraham, Harry Belafonte, Jessica Lange, Jonathan Moore, Jonathon Ascott, Love of Life, Lyman Hall, Marco Dark, New Orleans, New York, Psycho, Ray Wise, Rising Sun, Robocop, Swamp Thing, To Sleep in the Ground, Tootsie, Twin Peaks, Wild Honey

I normally abstain from posting about my family as I adhere to the belief that some things are just too personal for social media.  But being that Jonathan’s birthday is here, I felt that the timing was appropriate.

Jonathan Moore was known by his television role as Charles Lamont on the daytime drama Love of Life from 1966-1978.  On the big screen he was familiar to audiences as Dr. Lyman Hall (delegate from Georgia) in 1776 and as Baron van Swieten in the 1984 Academy Award-winning film Amadeus.  But before all of this, he was an accomplished stage actor on Broadway.  His stage credits include such productions as Wild Honey, Amadeus, Checking Out, 1776, and Dylan.  He was also my relative (first cousin once removed) on my mother’s side of the family. 

He was born John Miller Moore, Jr. in New Orleans, Louisiana.  He later took the stage and professional name of Jonathan Moore.  He was a decorated soldier in World War II and afterward became an artist in Paris.  Soon the acting bug bit and he moved to New York where he joined the prestigious Actors Studio.  While focusing on his acting career, he was a roommate with both the famous singer and actor Harry Belafonte and Anthony Perkins who portrayed one of cinema’s most indelible and terrifying characters, Norman Bates, in the Alfred Hitchcock smash horror/thriller/suspense hit Psycho.

I idolized Jonathan as a child and remember watching him on television when staying home on sick days and during summer vacation in kindergarten and elementary school.  His visits to Louisiana were thrilling.  He was my cousin, but he was also a celebrity whom I had gotten to know from television.  He always took the time to play outside with my cousins and I during holidays and family reunions, and he was often the center of attention.  On one of his trips, he paid my siblings and I a surprise visit at our school.  Some of the teachers and parents recognized him from Love of Life at the time, and I was very proud to tell them that he was my cousin. 

He was the celebrity of our family, but he remained refreshingly modest and humble.  Jonathan spoke with a rich baritone voice that can be heard in some of his roles on-screen before you even see him in the camera frame.  He had a sophisticated air about him that I gravitated toward.  He was always cool, classy, and debonair in my eyes, and he always will be.  

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Paying Homage to the Monsters

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Bela Lugosi, Boris Karloff, Carl Laemmle, Claude Rains, Colin Clive, collage, Creature From The Black Lagoon, Dracula, Elsa Lanchester, film posters, Frankenstein, Frankenstein's Monster, Halloween, Happy Halloween, Julia Adams, Karl Freund, Lon Chaney Jr., Marco Dark, Phantom of the Opera, The Bride of Frankenstein, The Invisible Man, The Mummy, The Wolf Man, To Sleep in the Ground, Tod Browning, Universal Studios Classic Monsters

I enjoy the Universal Studios classic monster films.  I bought this Blu-ray set in 2014.  It features eight of the more popular and famous Universal monster movies.  The set came with postcards of the original film posters.  I made them into a collage a while back.

Trivia time!  Look closely at the titles of the films.  If you have read my novel, “To Sleep in the Ground,” then you may have gotten the joke I made in the book about some of the film titles seen here.  If you haven’t read my novel yet, but do so in the future, can you catch the hidden joke?  Hint:  You do not have to buy the book in order to read the joke.  It’s included in the free sample “Look inside” preview of my book on Amazon.  Happy hunting!

Have a safe and happy Halloween!

Remember this?

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1981, Horror-Comedy Spoof, Howard R. Cohen, Jeff Begun, Julie Corman, Movie, Parody, Paula Prentiss, Richard Benjamin, Saturday the 14th, Spoof

Will I Ever Get a Review?: The Curse of the Self-Published Author

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A Day of Horror: The March 11, 2011 Japan Earthquake-A Foreigner's Perspective, Amazon Review, Book Review, First Book Review, Review, The DiVacci Curse, To Sleep in the Ground, Will I Ever Get A Review?

I asked this question in my mind many times over the years until one day when I happened to check the listing for my nonfiction book “A Day of Horror: The March 11, 2011, Japan Earthquake-A Foreigner’s Perspective” and noticed that someone had finally answered that question. I had my first review of my work! The review was posted on March 8 of this year. It took almost a decade to happen, but it did actually happen. Four months later I am still shocked that I finally joined the ranks of those fortunate, self-published souls who can proudly say that their work has been officially reviewed. I am delighted and humbled for such an honor and wish to thank the kind person who took the time to purchase and read my book, then write and post the review. They rated my book three out of five stars, and I am honored.

The review was posted on Amazon. Not long after I first published my nonfiction book, I received a rating on Goodreads of two out of five stars from a reader. Big thanks to the person who rated the book then. No review was written, only a rating was given at the time. I was brand new to the self-publishing world. Since then, my book has been updated and revised, and I think (hope) it makes for a better reading experience now. Perhaps the three-star rating this time reflects that.

It’s no mystery that reviews sell books, especially positive reviews. If you’re a self-published author like me but you haven’t received your first review yet, all I can say is be patient and hang in there. It could happen when you least expect it, but don’t expect it. Reviews of your work should be considered a bonus, not an expectation. Think of it as a privilege and not a right. Legitimate reviews can be very difficult to get. They are not easy to come by for many of us. It may not even be a flattering review that you receive, but at least it will have provoked a strong reaction in the reader, and that is something to feel good about. Isn’t that one of the reasons why many of us write?

Again, I wish to thank the kind person who reviewed “A Day of Horror: The March 11, 2011, Japan Earthquake.” Now if only I could get a review for my short story “The DiVacci Curse” and my novel “To Sleep in the Ground!”

A side note:

I am still preparing the paperback version of my nonfiction book. After that, I plan to revise and reformat my short story and novel (e-book and paperback). Then I hope to begin advertising my books in earnest. I don’t think I have enough to do.

Have a safe and healthy summer!

Raiders of the Lost Ark

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1981, 40th Anniversary, Baton Rouge, Bon Marche Mall, Cairo, California, Cinema 8, Disney World, Disneyland, DisneySea, East Baton Rouge Parish, Film, Film Trailer, Florida, Force Ten From navarone, Friday, George Lucas, Han Solo, Harrison Ford, Indiana Jones, Indiana Jones Adventure: Temple of the Crystal Skull, Indiana Jones Adventure: Temple of the Forbidden Eye, Indiana Jones and the Raiders of the Lost Ark, Indiana Jones Epic Stunt Spectacular, John Williams, June 5, Louisiana, MGM Studios, Movie, Movie Magic, Movie Theater, Orlando, Peruvian, Raiders of the Lost Ark, Sneak Preview, Star Wars, Steven Spielberg, The Empire Strikes Back, Tokyo, TV Commercial

I arrived home to the apartment where I lived with my mother and sister in the late afternoon on Friday, June 5, 1981.  School in East Baton Rouge Parish in southeast Louisiana had already been out for the summer for a week or two.  I was an elementary school student.

I was helping my sister unpack groceries when a commercial came on TV for Raiders of the Lost Ark (now known as “Indiana Jones and the Raiders of the Lost Ark”).  There was to be a sneak preview (remember those?) that evening at Cinema 8 movie theater at Bon Marche Mall in Baton Rouge.  Cinema 8 had been chosen as one of many theaters in many cities around the country to premiere the film a week before general release.

I was occupied at the time and didn’t pay a lot of attention to the commercial.  As with many TV commercials for films in the eighties, it happened quick with a lot of fast, random flashes of action and not enough to show you what the film was really about—a smart marketing tactic compared to today where you already know the essence of the film (and sometimes the spoilers and big reveals) in the very first trailer.  All I remember seeing was Harrison Ford playing a cowboy riding a horse and holding on to the front of a big truck in a desert, and that it was a collaboration between George Lucas and Steven Spielberg.

Harrison Ford is doing a cowboy film? I thought.  I don’t know that I want to see this.  In 1981, in my mind, Harrison Ford was Han Solo.  He was a sci-fi/fantasy actor.  O.k., I did like him in Force Ten From Navarone (1978) after Star Wars, but I could not imagine my screen hero playing a cowboy.  He is not a cowboy in Raiders, but when I saw him wearing a wide brim hat in the TV commercial (I didn’t know the difference between a fedora and a cowboy hat back then) I just assumed that it was a cowboy flick.

The phone rang.  It was my mom calling from work saying that a friend of hers had scored tickets to the sold-out sneak preview at Cinema 8 and that we were all going that evening.  Lovely.  I thought that I was just going to see another cowboy film from a genre that I had no interest in.  Little did I realize that Raiders of the Lost Ark would turn out to be the most thrilling time I had in a movie theater since The Empire Strikes Back the year before.

From the opening scene in the Peruvian temple to the closing credits, the audience at Cinema 8 that night was on the edge of their seats enjoying a non-stop rollercoaster adventure the likes of which has rarely been equaled or surpassed in film.  I had never experienced such a boisterous and energetic audience reaction in a movie theater before and have not since.  The scene where Indy shoots the swordsman on the street in Cairo brought the house down.  Talk about audience participation!

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Happy 141st Birthday, Antonio Bay!

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141st Anniversary, Adrienne Barbeau, Alfred Hitchcock, Antonio Bay, April 21, April 21st, Father Malone, Ghost Story, Ghosts, Hal Holbrook, Halloween, horror films, Jamie Lee Curtis, Janet Leigh, John Carpenter, John Houseman, Psycho, Seagrass, Stevie Wayne, The 21st of April, The Fog, Tom Atkins, vengeful ghosts

Eleven fifty-five, almost midnight, enough time for one more story…one more story before twelve, just to keep us warm. In five minutes, it will be the 21st of April…

These chilling words are the opening lines of dialogue from a horror film that shares this important date with us today.

Below is a slightly edited repost of a post I did a few years ago about today’s date and its significance in the realm of horror films.

Original post (edited):

Oddly, I’m not a big horror movie fan.  Even though I enjoy writing in the horror and mystery genres, when it comes to film my personal movie collection is heavy with science fiction, fantasy, adventure, and comedy rather than horror. The Fog is one of my all time favorite horror movies (the original 1980 film directed by John Carpenter). The plot is simple yet effective and harkens back to a nostalgic time of storytelling when ghost stories didn’t have to be gory or excessively violent to be frightening. Sure, there is some violence in the film, but it isn’t very bloody or overt like many of the horror films and TV shows of today, although, the film is loaded with lots of shocks and stingers that definitely get your attention.  They are the kind of scares that happen really quick, make you scream or jump, and then make you laugh at yourself afterward.  I won’t go into detail about the story because I don’t want to spoil it for anyone who has never seen the film before. The Fog inspires and encourages me to write scary stories that emphasize the old cliché, “Less is more.”

The Fog is pretty tame by current standards.  After all, it’s over forty years old! If you prefer your horror served up with gratuitous amounts of blood, gore, and sex, then The Fog may not be for you.  However, if you enjoy clever, old school, spooky, sit-around-the-campfire ghost stories, then you might find it entertaining.  It’s a fun film to watch while curled up on the sofa with your favorite snack or main squeeze.

There are also a couple of personal reasons why I like The Fog.  I was a radio DJ/announcer for a few years when I lived in Louisiana, and briefly when I later lived in Florida. The “Stevie Wayne” connection is something I can relate to. Stevie Wayne is basically the main character of the film.  She is portrayed by Adrienne Barbeau.  She’s a single mom raising her son in a sleepy, yet somewhat charming little seaside town (Antonio Bay, California). Stevie recently bought a radio station atop the town lighthouse that overlooks the Pacific.  A good portion of the film takes place in and around the lighthouse/radio station. I can relate to the tasks and responsibilities that Stevie has to contend with like the ever watchful and unforgiving demands of the clock, and time, that dictate a DJ’s every move and word while on the air.

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Bach, Beethoven, Mozart, Tchaikovsky, Vivaldi…Williams: The Music of The Empire Strikes Back

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1941, 40th Anniversary, C-3PO, Chewbacca, City in the Clouds, Close Encounters of the Third Kind, Cloud City, Dagobah, Darth Vader, Film Score, Finale; End Credits, Han and Leia, Han Solo, Hollywood, Hoth, Hyperspace, Imperial Stormtroopers, Jaws, Jaws 2, John Williams, Lando Calrissian, Lando's Palace, Lucasfilm, Luke Skywalker, Luke's First Crash, Luke's Rescue, Millennium Falcon, Musical Score, Obi-Wan Kenobi, Original Soundtrack Anthology, Princess Leia Organa, R2-D2, Return of the Jedi, Saga, Star Wars, Star Wars: Episode V, Superman, Tatooine, The Battle in the Snow, The Empire Strikes Back, The Imperial March (Darth Vader's Theme), The London Symphony Orchestra, Yoda, Yoda and the Force, Yoda's Theme

Film Spoilers Ahead!

I’m paying homage to The Empire Strikes Back this year in recognition of the film’s 40th anniversary. I mentioned in a post last May that it is my favorite of the Star Wars saga. This post is about the incredible music of the film composed by John Williams.

Few people would dispute John Williams’ contributions to motion picture scores. We all know his resume. It includes many of the biggest blockbuster films in history. When he wrote the music for The Empire Strikes Back he was already famous for having composed the scores of numerous films and television shows including Jaws, Star Wars (of course), Close Encounters of the Third Kind, Jaws 2, Superman, Dracula (1979 version with Frank Langella and Laurence Olivier, directed by John Badham), and 1941. But his success dates back much farther. His list of films can be found online. Chances are that you will find films and TV show scores composed by him that you never realized he did.

He was already a hot commodity in Hollywood, but Star Wars sent his popularity into the stratosphere. And, as we saw, his star just kept rising and rising with practically every film he scored for the next three plus decades.

His work and the efforts of the London Symphony Orchestra on T.E.S.B. is no different. It is my favorite musical score of the saga, and contributes greatly to the reason that it is my favorite S.W. film. His scores to Star Wars and Return of the Jedi are fantastic in their own right, but what he did for T.E.S.B. elaborates upon those concepts and introduces us to new and memorable themes that have been, and still are, heard throughout the S.W. timeline.

“The Imperial March (Darth Vader’s Theme)” is as iconic now as the theme from Jaws. Almost everyone who hears it knows what it is, or they at least recognize it as a S.W. theme. Its driving, pounding, militaristic sound is heard throughout the film and reminds us that the Empire is always one step behind our heroes. Sometimes, one step too close. I wouldn’t be surprised if it’s one of the most popular ringtones for smartphones the world over.

“Yoda’s Theme” is one of my personal favs in the entire series. I never get tired of it. Its quiet and melodic tempo relaxes me every time I hear it. It’s beautiful and meditative.

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A Galaxy Forty Years Ago

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1980, 1991, 1996, 20th Century Fox, 40th Anniversary, A galaxy far away, Baton Rouge, Boba Fett, Bon Marche Mall, Bon Marche Twin Cinema, Boris Vallejo, bounty hunter, C-3PO, carbonite, Cloud City, Coca Cola, Dagobah, Darth Vader, Emperor Palpatine, era, Film, George Lucas, Han Solo, Hoth, Jabba the Hutt, John Williams, Lando Calrissian, Louisiana, Lucasfilm, Luke Skywalker, Millennium Falcon, Movie, Princess Leia Organa, Saga, Space Fantasy, Star Wars, Star Wars: Episode V, The Empire Strikes Back, The London Symphony Orchestra, thrilling, Yoda

Spoiler Alert!

Even though I want as many people as possible to read this post, I must give fair warning. This post contains information that gives away important plot points from the Star Wars film The Empire Strikes Back, commonly referred to these days as just Star Wars: Episode V. If you have never seen the film and intend to do so, then you may want to proceed with caution or skip this post altogether. On the other hand if you have seen it, then I hope that you will enjoy this little stroll down memory lane.

It was almost forty years ago to the day that I saw the greatest and most influential science fantasy film of my life…The Empire Strikes Back. As mentioned above, the more familiar title is now Star Wars: Episode V. I prefer the original title. I remember when first released, people laughed at the title. It didn’t sound dignified enough for the Star Wars series. Over time it grew on us. We got used to it. Decades later it seems to be the more appropriate title for the film. It is the original title after all.

There seems to be discrepancies in the exact date of the film’s release. I remember it being in late May of 1980. Supposedly, it had a limited release. I saw it about a week or so after it’s premiere at Bon Marche Twin Cinema behind the Bon Marche Mall in Baton Rouge, Louisiana where I was living at the time. The movie got a much wider nationwide release a month later in June. Baton Rouge is the capital of Louisiana, and as far as I remember only one theater in town was showing the film initially. I could be wrong about when it was released in Baton Rouge. I would be happy to hear from you in the comments below if you know something to the contrary. Also, chime in and let me know when the film premiered in your town.

Spring was blooming in May of 1980, and my family had relocated to Baton Rouge a couple of months before from our hometown an hour east. It was a clear, sunny and mild Saturday afternoon. I had just been released from…sorry…gotten out of…school for the year. My older brother and sister (I was the youngest) had seen the movie during its opening week. I had not seen it yet, even though I was the biggest S.W. fan in my family.

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Good Friday

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Blessed, Chaos, compassion, Consideration for Others, Coronavirus, Covid 19, Easter, Easter Sunday, Fear, forgiveness, Good Friday, humility, love, Praise, respect, Risen, Sacred, Sacrifice, Selflessness, Suffering, sympathy, Thanksgiving, tolerance, Uncertainty

On this sacred day, amid all of the chaos, uncertainty, suffering and fear…I ask that you remember HIS sacrifice for us all.

May we all have a blessed Easter.

Shadow of the Vampire

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award, Bram Stoker, C.I.C.A.E., candles, Cannes, Count Orlock, Count Orlok, dark humor, E. Elias Merhige, F.W. Murnau, Film, film noir, garlic, gothic, Happy New Year, Hollywood, Horror, John Malkovich, Max Schreck, Movie, Nicolas Cage, Nosferatu, Nosferatu: A Symphony of Horror, nostalgia, old-fashioned, Oscar, Saturn Films, Shadow of the Vampire, sinister, vampires, Willem Dafoe

Happy New Year!

“The script girl…I’ll eat her later.” – Max Schreck (Willem Dafoe)

As mentioned in a recent post, Shadow of the Vampire is a film that I strongly recommend if you are interested in learning more about the myth behind Max Schreck, the German actor who portrayed Count Orlok in the original classic silent film Nosferatu:  A Symphony of Horror.

Shadow of the Vampire is directed by E. Elias Merhige, a director whom I was not familiar with before this film.  It stars Willem Dafoe as the mysterious Max Schreck, a method actor who has a reputation for delving deep into the characters that he portrays, so much so that it puts him at odds with F.W. Murnau, portrayed brilliantly by John Malkovich, and the other members of the cast and crew.  It was the first production of Saturn Films which was co-founded by Nicolas Cage.  Saturn Films would later produce another vampire film called Underworld: Awakening from the famous vampire vs. werewolf series, as well as other well-known films and TV shows.

The general public doesn’t often react well to films that are about the making of other films, even classic ones.  However, Shadow of the Vampire is focused on the actors and creators of the film, rather than the actual filming of the movie itself.  This makes the film more interesting, and it’s a history lesson as well as an interesting character study.  I enjoy history, so I don’t normally have an issue with films about the making of films, especially when it comes to such an iconic vampire film as Nosferatu.

“Did I kill…some of your people, Murnau?  I can’t remember.” – Max Schreck (Willem Dafoe)

Shadow of the Vampire works upon the premise that, unbeknownst to the cast and crew, Max Schreck is not an actor but a vampire hired by Murnau to add an uncanny authenticity to the role.  Murnau knows that Schreck is a vampire, but Murnau’s nightmare begins when things go crazy on the set and crew members start to disappear.

Shadow is a brilliant example of film noir.  It shows the condition of vampirism in a unique, stylish and artsy way, but in a more direct and down to earth fashion.  Many art films about vampires have a tendency to be extremely abstract and vague.  Some vampire films are shot with the use of cold, blue filters that remove the viewer from the story and make it difficult for the audience to connect with the characters.  S.O.T.V. doesn’t do that.  The film has a warmth about it not often felt when watching vampire films.  The cinematography is intimate and inclusive.  It makes you feel like you are there, sharing the filming experience of Nosferatu with the cast and crew.  The interiors of the charming inns where some of the scenes of the filming of Nosferatu happen are cozy and inviting.  The castle scenes and the areas inside the vampire’s lair are especially enthralling.  The movie was filmed in Luxembourg, doubling for Germany and Czechoslovakia (The Czech Republic).